What guitarist would be more fitting to represent an all-Californian guitar company than that of California's musical crown jewel? Steve Bartek, primary guitarist and right-hand man of Danny Elfman in Oingo Boingo, utilized his background in jazz and psychedelic rock to weave intricate, multifaceted guitar work into a sonic tapestry that drew from West African highlife, prewar jazz, punk, rockabilly, Balinese gamelan, ska, and synthpop.
Don't worry, you'll get a concrete example in a moment.
Now, a guitarist with eggs in that many baskets ought to have a guitar that can handle something like that, right? Well, throughout his career with the band, Steve was mostly content with a Gibson Les Paul Deluxe, a Carvin DC200, and a Strat with Lace Sensor pickups. But sometime during the Good for Your Soul sessions in late 1982-early 83, J.B. Player approached Steve with a guitar. As recalled by the man himself:
"They made that one for me special (or so they said). I remember it being a little skinny for my fat fingers, but it played well and was way way lighter than my Les Paul, thus easier to play for a long set."
Steve was bandmates with Randy Zacuto in his high school days, so from the get-go a connection was there. He had been in J.B. Player advertisements to begin with as discussed earlier, but a guitar built specifically for him (even if it was just a semi-custom job) was new. This, of course, was his marine blue Mercury, fitted with three singlecoil pickups (most likely Mighty Mite 1100s) and a Kahler 2300 vibrato bridge.
Much like how Devo's ugly-duckling Gibsons fit with their particular visual presentation, the familiar-yet-unfamiliar, almost goofy styling of the Mercury was appropriate for a group that had the trappings of a rock band but still leaned heavily on a background of whimsical musical theatre and Cab Calloway antics. Steve had two J.B. Players, the second one I'm unsure of what it was.
The guitar was delivered by March or April 1983 and had its live debut at a secret show in Reseda, CA. Later, during Labor Day Weekend of that year, tens of thousands of concertgoers witnessed Steve pull out the Mercury for the midsection of Oingo Boingo's set at that year's US Festival. He switched out his guitars just before "Grey Matter" and just after "Violent Love".
Mr. Bartek took his Mercury on the road with him during the 1983 tour, and possibly for a few dates the following year. Afterwards, Dead Man's Party was released, and Carvin approached Steve with an endorsement deal. With J.B. Player undergoing a paradigm shift as ownership changed hands and production moved to South Korea, and Oingo Boingo stepping in a more "pop" direction in both sound and stage presence, the Mercury was stowed away.
In 2005, Hurricane Katrina devastated the Southern United States. Hundreds, if not thousands, of charity auctions cropped up to support relief efforts in the aftermath. Steve Bartek nobly contributed both his J.B. Player guitars to the cause in a private auction. While there may be receipts or some sort of record, maybe a name of the winning bidder, I don't have it. I just hope whoever went home with those guitars knows just how unique they are--pieces of an untold history, points of light in an otherwise darkened room.
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